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Recorder Sight-Reading 2

A fresh approach
Vol. 2
recorder
Product number: ED 12968
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Product Details

Description

An approach which includes sight-reading in daily practising at an early stage. Instead of dry exercises, these editions focus on the use of idiomatic melodies. This is how sight-reading is meant to be - FUN!

Content

Contents
Preface
To the pupil
Section 1:
Soprano (descant) and alto (treble) Keys up to four sharps and flats
Solos
Duets
Accompanied pieces
Section 2:
Introducing ornaments and contemporary techniques
Solos
Duets
Accompanied pieces
Section 3:
More contemporary techniques; dance styles
Solos
Duets
Accompanied pieces
Section 4:
Solos
Introducing the bass recorder
Duets
Accompanied pieces
Section 5:
Further tonalities and dance forms
Solos
Duets
Accompanied pieces

More Information

Title:
Recorder Sight-Reading 2
A fresh approach
Vol. 2
Publisher/Label:
Schott Music
Series:
Title:
Recorder Sight-Reading 2
A fresh approach
Vol. 2
Language:
deutsch, French, englisch
Publisher/Label:
Schott Music
Series:
Title:
Recorder Sight-Reading 2
A fresh approach
Vol. 2
Language:
deutsch, French, englisch
Publisher/Label:
Schott Music
Series:

Technical Details

Product number:
ED 12968
ISMN13:
979-0-2201-2617-8
ISBN13:
978-1-84761-026-3
Product number:
ED 12968
ISMN13:
979-0-2201-2617-8
ISBN13:
978-1-84761-026-3
UPC:
841886007697
Weight:
0,35 kg
Pages:
92
Format:
23.1cm x 30.3cm
Binding:
Saddle stitching
Product number:
ED 12968 Q19492
ISMN13:
979-0-2201-2617-8
ISBN13:
978-1-84761-026-3
Pages:
92
File format:
(PDF / 1,16 MB)

More from this series

Schott Sight-Reading Series
LEARNING TO SIGHT-READ Sight-reading is an important aspect of making music and should in some form become a regular part of a student’s routine each time they play their instrument. Regular sight-reading helps the pupil to gain greater confidence when approaching any new piece of music for the first time. Schott's Sight-Reading books aims to establish the habit early in every student’s learning process and the emphasis is on providing idiomatic tunes and structures for the specific instruments rather than sterile sight-reading exercises. Starting from very easy pieces with familiar shapes and rhythms, the range of notes, keys and rhythms gradually develops. In addition to this, each section of the books concludes with duets and accompanied pieces allowing the student to gain experience of sight-reading within the context of ensemble playing. Accompaniment exercises can be found at the end of the piano books.

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